About 20.35 Africa

A resource institution for African poets

The beginning

20.35 Africa began in 2017 as an annual electronic anthology publishing African poets under 35 years of age but not below 20. Aware that the concept of contemporary poetry could be extensive, we brought it down to age, to publish a specific generation of this wider period in African poetry.

Our mission is to compile a collection of African poets, the relatively unknown, the budding, and the established, creating a balanced platform representing the continent’s contemporary voices.

In our current expansion, 20.35 Africa has added two more series to the anthology series: Conversations and New Poets.

The Conversations series is a scale-up of what we started in 2018 with Nkateko Masinga & Cheswayo Mphanza, which won the 2019 Brittle Paper Anniversary Award. Part of our mission at 20.35 Africa is to not only compile contemporary African poetry, but through the Conversations series to have an ongoing discussion on what poetry means for us all at this age; the ways it has morphed & gaps it fills in our personal, social, & political life. The vision is to build an organic contemporary African poetics, driven alike & equally by all the stakeholders within the field.

The New Poets series is self-explanatory: we wish to give more individual visibility to contemporary African poets through this new channel. While we don’t intend to restrict inclusion to the series continentally, our priority focuses on poets living in Africa.

Building a career as an African poet entails a handful of challenges, which are compounded for the African poet living on the continent.

None of the few major structures that exist for African poets are homegrown, meaning that these poets are alternatively bound to pitching validation and facility internationally in terms of agencies, prizes, degree-awarding programs, publication presses, media platforms, fellowships, workshops, and residencies.

At 20.35 Africa, we are committed to a gradual but steady promotion of contemporary African poetry and poets.

Our main objective is to grow in being a resource institution for African poets, targeting the needs of both the poets in the center and those at the margin of the scene. To establish the structures currently lacking for the African poet, such as: prizes, masterclasses, fellowships, workshops, residencies. To rethink the existing processes of the production and dissemination of contemporary African poetry and come up with innovative ideas for greater efficiency. To utilize digital tools and other forms of new media in capacity building for contemporary African poetry and poets.

Our actions are guided by the principle of community development through our existing and prospective projects. We are a collective of young Africans with a core belief that contemporary African poetry and poetics can be driven from home. 

20.35 Africa Masthead

Founder, Editor-in-Chief
Ebenezer Agu

Managing Editor
Precious Okpechi 

Permanent Editor
I.S. Jones
JK Anowe

Editorial Assistants
Portia Dede Opare
Olúwatamílọ́re Òshó
Nnenna Tochi Itanyi

Eezer

Ebenezer Agu is a poet, nonfiction writer, literary critic, and alumnus of the Los Angeles Review of Books Publishing Workshop. He received his MFA from the University of Michigan’s Helen Zell Writers’ program where he was named the Elsie Choy Lee Scholar by the CEW+ for his impressive accomplishments and perseverance in pursuing his academic goals and awarded The Gupta Values Scholarship by the Rackham Graduate School, for his demonstrated integrity, commitment to human dignity, and dedication to excellence. In 2022, he was featured in Open Country Mag’s special issue on The Next Generation of African Literature. In 2020, he was nominated for The Future Awards Africa Prize for Literature. Between 2016 and 2018, he edited the poetry of the two volumes of 14: An Anthology of Queer Art. Ebenezer has also worked in the field of creative economy as a culture, art, and gender expert with AU-EU Youth Cooperation Hub, a youth organization under the African Union and the European Union. Currently, he is getting his PhD at Emory University.

Precious

Precious Okpechi is an alumnus of the Los Angeles Review of Books Publishing Workshop, Outspoken Press Academy Workshop, and The Singing Bullet Writing Workshop. His works appear in Palette Poetry, A Long House, Lolwe, The Shore, Isele Magazine, and PubLab. He is an MFA candidate at Arizona State University where he was awarded an Outstanding Research Potential Award. Precious serves as the Managing Editor at 20.35 Africa.

I.S Jones

I.S. Jones is an American / Nigerian poet and essayist. She is the author of Bloodmercy (Copper Canyon Press, 2025) which won the APR/Honickman First Book Prize and the chapbook Spells of My Name (Newfound, 2021). She is a Graduate Fellow with The Watering Hole and holds fellowships from Callaloo, Bread Loaf, BOAAT Writer’s Retreat, and Brooklyn Poets. Her works have appeared or are forthcoming in Guernica, Washington Square Review, LA Review of Books, Prairie Schooner and elsewhere. Itiola received her MFA in Poetry at University of Wisconsin–Madison where she was the inaugural 2019-2020 Kemper K. Knapp University Fellowship recipient and the 2021-2022 Hoffman Hall Emerging Artist Fellowship recipient. She is currently an instructor with Brooklyn Poets, a reader for Poetry Magazine, and is the 2023 Bread Loaf Rona Jaffe Scholar.

JK Anowe_resized

JK Anowe (he/they) is an Igbo-born poet, editor, teacher, and multi-literary artist. A Gwendolyn M. Carter Fellow in African Studies at Northwestern University, Anowe lives and writes from Chicago where they are an MFA+MA candidate at the Litowitz Writing Program.

Portia

Portia Dede Opare is an editorial assistant at 20.35 Africa. She completed an MPhil in African Literature and Development Studies with a focus on Transnational African Literature. She is currently enrolled in an MA course in English-Speaking Cultures at the University of Bremen, Germany. She believes in the peculiar power of words and their capacity to bind, soothe, and heal. Portia is passionate about all forms of poetry, especially contemporary African poetry.

Tamilore

Olúwatamílọ́re Òshó is a Nigerian born poet and writer. She’s a graduate of the University of Benin, Nigeria. She works as the social media manager for 20.35 Africa. Her works are recently published or forthcoming in Roadrunner Review, ANMLY Lit Mag, PANK magazine, Olney Magazine, and elsewhere.

Nnenna

Nnenna Tochi Itanyi is a full-time architect with a BSc and MSc from Bartlett School of Architecture. Right now, she works as an architect with Rogers Stirk Harbor and Partners in London. She also works as a freelance graphic designer and photographer. Her desire is to create fine art that invite viewers to bypass the mundane and revel in the uniqueness of the subject.

Donate to 20.35 Africa

At 20.35 Africa, we seek to build towards the future of African letters that our readers, contributors, and staff deserve – one that uplifts living African poets from all over the continent and the diaspora. This effort is sustained by a committed team whose work is mostly pro bono. 20.35 Africa has thus thrived over the years through the sheer passion of its members, who share an understanding of the imperative position of their work. The other half of that work is you and we hope you will help us continue building into the future with your contributions. 

Your generous support helps us pay for the administrative and general operating costs of running this organization. We want to thank you in advance for supporting living African poets and the pursuit of crafting a new contemporary voice, a collection of voices. Our publications remain free and open to the public for consumption. Your generosity and continuous support make all of this possible.

@AfricanPoetry

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